>Although sestina’s usually do not rhyme, the repetition of the words almost give it a rhyming effect. She repeats the words “house, “grandmother”, “child”, “stove”, “almanac” and “tears”, the ending words of each line of the first stanza as the end of every line in the other stanzas. >Elizabeth Bishop uses this complexity in her poem, “Sestina”. The sestina requires the repetition of six words at the end of the first stanza’s lines to the end ends of the lines in the other six-line stanzas. But unlike the villanelle, the rhyming scheme of the sestina is difficult. >The sestina, like the villanelle, has a rhyming scheme. The three-line stanza being called an envoy. It consists of thirty-nine lines ranging any length divided into six stanzas of six lines and then a concluding stanza of three lines. >The sestina is a more complex fixed form of poetry than the villanelle. “Do not go gentle into that good night”, “good night” being death and “dying of the light”, meaning the “light”, in other words life being burnt out. Thomas uses metaphors for death throughout his poem. The reader is reminded the importance of the authors true feelings of death. > Dylan Thomas repeats both lines one and three, throughout his poem, giving the poem’s theme and meaning more emphasis. These two lines best describe the way Dylan Thomas feels toward the end of his father’s life. Thomas repeats line one, “Do not go gentle into that good night and line three, “Rage, rage against the dying of the light” (688, lines 1, 3) throughout his poem. Thomas uses words such as “rage”, “dying”, “burn” and “rave” to convey his emotions. >Dylan Thomas’ choices of words for his poem “Do not go gentle into that good night” are angry and direct, basically how he feels about his father’s death. Rage, rage against the dying of the light” (688, lines 16-19). Dylan Thomas describes the way he feels about his father’s closeness to death through his poem, “And you, my father, there on the sad height, / Curse, bless, me now with your fierce tears, I pray. Throughout the poem the theme is about how Dylan Thomas feels about death. >When Dylan Thomas wrote this villanelle his father was close to death.

This villanelle creates “haunting echoes” in Dylan Thomas’ poem.

An example of the rhyming scheme would be aba. The first and the third lines of the first tercet have the same rhyming scheme, which also are repeated in each of the following tercets and the final two lines of the quatrain. >Dylan Thomas’ “Do not go gentle into that good night” consists of six stanzas, five tercets three lines, and one concluding quatrain four lines. Examples of the villanelle and sestina forms are Dylan Thomas’ “Do not go gentle into that good night” and Elizabeth Bishop’s “Sestina”. The Sestina is also considered a “fixed form”, like the Villanelle, but a little more challenging than the Villanelle and also does not rhyme. The Villanelle is considered a “fixed form” being that it can be categorized by the patterns of its lines, meter, rhymes and stanzas. Two very complex forms for poems are the Villanelle and the Sestina.

For the most part the form of the poem is its overall structure.

>Poems are like objects they come in a variety of shapes and forms. In Reply to: Rough Draft Essay 3 posted by Emily Frost-Morgan on Jat 10:49:44 p.m.: Re: Rough Draft Essay 3 Re: Rough Draft Essay 3

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